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I wrote this after being on the other topic that was made regarding the negative portrayal of a Sikh woman in a Pakistani drama. Here are some of my observations over the years: The portrayal of Sikhs in Pakistani cinema ranges from the sometimes positive to the rather often negative end of the spectrum. One of the first films to be a big hit in Pakistan was based on a fictional Sikh character during the times of partition: Kartar Singh (1959). While initially Kartar is shown as a rogue, he has a change of heart after the Muslim protagonist Umerdeen saves his life. Sikhs were generally shown as ill-mannered drunkards in many films, often without their turbans. Some other films with Sikh characters include Gabroo Putt Punjab De (1969), Balwant Kaur (1975), Chan Veryam (1981), Gernail Singh (1989) and so on. In Veryam (1981) they show the Muslim protagonist saving a Sikh girl from the British while all the Sikhs of the village failed to defend her (including the 'gyani'). Later she runs away to his house and converts to Islam. When her brother finds out and goes after her she gives him a whole speech of seeing the 'light' and inviting him to leave Sikhi as well, a rather demeaning scene that can be seen from 1:47:00 onwards here: https://www.youtube.com/watch?v=9XfkiHQViLc. One can't fail but see the constant subconscious need to show Sikh women converting to Islam, be it the films like Veryam (1981) & Larki Punjaban (2003, with a 'twist' in the end to please Sikhs) or TV Drama Bilqees Kaur (2012). Besides that the clear attempts to show the Hindus as scheming villain creating problems between Sikhs and Muslims is also seen in their films. You have to give them credit where its due though, they made a drama on the dark periods of fake police encounters in Indian Punjab. It is called Kesri Painday. A young Pakistani Sikh was also part of the cast.