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Saniyaasi's


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Vaheguru Jio,

I need some information - does anyone have any informative articles or does anyone know about Sanyaasi's? (pronounced sun-e-aa-seez .. i think). As far as i know, they are people who (more popularly in the olden days) used to go up away from gristi jeevan and spent their entire lives in naam jaap. They closed themselves off from society.

Any factual info would be much appreciated. Thank You.

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I read this somewhere....I doubt this will give you much Factual information, but it is what i have to offer

Discarding all idea of separateness Nanak says there is no need to renounce or run away from the world. Wherever you are, He is. Nanak has given birth to a unique religion in which householder and sannyasin are one. He alone is entitled to call himself a Sikh who, being a householder is yet a sannyasin; who, being a sannyasin is still a householder.

You cannot become a Sikh merely by growing your hair or wearing a turban. It is difficult to be a Sikh. It is easy to be a householder or to be a sannyasin, but to be a Sikh you have to be both. You have to remain in the house -- but as if you are not there, as if you are in the Himalayas. Keep running the shop, but maintain the remembrance of His name ever throbbing within; you can count your cash but take His name along with it.

Isolating him from the world, we deprive the sannyasin of experience; he remains very poor in experience. Of course, isolation gives him a sort of security, but it makes him poor and lackluster.

I want to unite the sannyasin with the world. I want sannyasins who work on farms and in factories, in offices and shops right in the marketplace. I don't want Sannyasins who escape from the world; I don't want them to be renegades from life. I want them to live as sannyasins in the very thick of the world, to live with the crowd amid its din and bustle. Sannyas will have verve and vitality if the sannyasin remains

a sannyasin in the very thick of the world.

In the past, if a woman wanted to be a sannyasin, she had to leave her husband, her children, her family; she had to run away from the life of the world. If a man wanted to take sannyas he had to leave his wife, his children, his family, his whole world, and escape to a monastery or a cave in the mountains.

For me, such a sannyas has no meaning whatsoever. I hold that after taking sannyas, a man or woman should not run away from the world, but should remain where he or she is and let sannyas flower right there.

You can ask how someone will manage his sannyas living in the world. What will he do as a husband, as a father, as a shopkeeper, as a master, as a servant?

As a sannyasin how will he manage his thousand and one relationships in the world?—because life is a web of relationships. In the past he just ran away from

the world, where he was called upon to shoulder any number of responsibilities, and this escape made everything so easy and convenient for him. Sitting in a cave or a monastery, he had no responsibilities.  no worries; he led a secluded and shrunken life.  What kind of a sannyas will it be which is not required to renounce anything? Will sannyas without renunciation mean anything?

Recently an actor came to visit me. He is a new entrant into the film world. He asked for my autograph with a message for him. So I wrote in his book: "Act as if it is real life and live as if it is acting."

To me, the sannyasin is one who lives life like an actor. If someone wants to blossom in sannyas living in the thick of the world, he should cease to be a doer and become an actor, become a witness. He should live in the thick of life, play his role, and at the same time be a witness to it, but in no way should he be deeply involved in his role, be attached to it. He should cross the river in a way that his feet remain untouched by the water. It is, however, difficult to cross a river without letting the water touch your feet, but it is quite possible to live in the world without getting involved in it, without being tied to it. 

In this connection it is necessary to understand what play acting is. The miracle is that the more your life becomes play acting, the more orderly, natural and carefree it becomes. If a woman, as a mother, learns a small truth, that although the child she is bringing up has been borne by her, yet he does not belong to her alone, that she has been no more than a passage for him to come into this world, that he really belongs to that unknown source from which he came, which will sustain him through his life and to which he will return in the end, then that mother will cease to be a doer; she will really become a play actor and a witness.

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