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Smallest Chapter (Shabad/tuk) Would Be From Gurbani Perhaps Guru Granth Sahib?


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Does anyone know what the smallest chapter (shabad/tuk) would be from gurbani perhaps guru granth sahib?

http://www.sikhs.org/english/eg_index.htm

Someone on a previous thread said Ek Onkar - which I don't think we could easily translate to mean chapter usually when dealing with gurbani we subdivde shabads in pauris, how about other measurements such as saloks and smaller units in a pauri such as stanzas or are pauris stanzas.

It seems the style, theme and tone of gurbani is similar to sufi poetry but unique in terms of linguistics of being the measure of gurmukhi punjabi. We see similarities in Sidhi Poetry: Sindhi poetry contains two main original forms of verse, such as bait and Waei. Bait slightly resembles withform Dohas and Sorthas, moreover also influenced by Persian forms like Ghazal, Mathnavi, Rubai, and Kaafi.

Some more to beits: A Beit (also spelled bait, Arabic, literally "a house") is a metrical unit of Arabic, Iranian, Urdu and Sindhi poetry. It corresponds to a line, though sometimes improperly renderered as "couplet" since eachbeit is divided into two hemistichs of equal length, each containing two, three or four feet, or from 16 to 32 sylables.[1]

William Alexander Clouston concluded that this fundamental part of Arabic prosody originated with the Bedouins or Arabs of the desert, as, in the nomenclature of the different parts of the line, one foot is called "a tent-pole", another "tent-peg" and the two hemistichs of the verse are called after the folds or leaves of the double-door of the tent or "house".

Rubāʿī (Persian: رباعیrubāʿī, "quatrain")[1] is a poetry style. It is used to describe a Persian quatrain, or its derivative form in English and other languages. The plural form of the word, rubāʿiyāt (رباعیات), often anglicised rubaiyat, is used to describe a collection of such quatrains.[2] In other words Rubai is a form of 4 lines poetry and to the extent that Rubaiyat is often used as a short name for this particular collection of 4 lines poetry.[3]

There are a number of possible rhyme schemes to the rubaiyat form, e.g. AABA, AAAA.[4] In Persian verse, the ruba'i is usually written as a four-line (or two-couplet) poem, with rhymes at the middle and end of each line.[5][6][7]

Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas,Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now.

http://en.wikipedia.org/wiki/Doha_(Indian_literature)

Doha is a very old "verse-format" of Indian poetry. It is an independent verse, a couplet, the meaning of which is complete in itself.[1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line. This format had found favour with the Abhiras or Ahirswho had greatly encouraged its use, the Abhiras belonged to Gandhara region now in Pakistan. Jacobi's theory rests on the premise that the Indians possessed a translation ofHomer's works as asserted by Dio of Alexandria.[2] Therefore, for a very long time the Doha verse-format was popularly used in Gujarati, Rajasthani (Duha), Maithili, Marathi andHindi folk and modern literature of North India and in Sindhi (Doho) literature of Pakistan. The word Doha is supposed to have derived from the Sanskrit words dogdhaka, dvipadi,dvipathaka or dodhaka that are all Sanskrit couplet forms; it is also known as duhaviya in Apabhraṃśa to which the earliest reference is in Vikramorvashiyam [3] of Kalidasa. Dohas have also been found written and cited in a stray manner in older languages such as Prakrit and Pali. They are quotations of worldly wisdom. In Duhasuktavali it is said that doha should be quoted where talented persons have gathered.

Doha (Apabhraṃśa) is a particular kind of Apabhraṃśa metre of popular origin that was cultivated by many Apabhraṃśa saints – poets and bards owing to its lyrical qualities, and who gave birth to the Doha – sahitya i.e. Doha-literature. Dohas in Sant literature are known as Sakhis.A doha has two lines, each having 13+11 morae (6+4+3) + (6+4+1) and with its last words ending in a rhyme; it is one of the shortest quantitative metres of Hindi literature. This format has been employed freely since 6th century AD and are seen quoted by Svayambhudeva (circa 800 AD) in his Paumachariu andHarivamshapurana and by Hemchandra (1088-1172) of Patan (Gujarat) in his Siddhahema shabdanushashna, a work on grammar of Sanskrit, Prakrit and Apabhraṃśa. The great saint-poetGorakhnath (809-849) for his Gorakh-bani and the great poet Pushpadanta (959-972) of Manyakheta for his epics Mahapurana, Nayakumara-chariu, Adipurana, Jaisahara-chariu and Uttarapuranachose this particular format.

Compositions

There was a tradition of composing stray verses in Doha metre, more popular in North India it was popularised through contributions made by the Jainas, the Brahmins and the Muslims as is seen inepic, rasa and didactic type of literature. Topics in this literature include eroticism, valour, quietude, morality, common life, eventful scenes, of nature, sayings and proverbs. Some main literary works of the period from the 8th to 13th centuries are Sarasvatikanthabharana and Shringaraprakasha of Bhoja, Kavyalankara of Rudrta, Prakritavyakrana of Hemchandra, Prakritapaingalam andNeminathachariu of Haribhadra, Kumarapalapratibodha of Somaprabha, Prabandhachintamani of Merutanga, Sandeshrasaka of Abdul Rahman.

Religious doha-literature was composed by Buddhists, Jainas and Shaivas which was both, spiritual and moralist. The spiritual doha-literature is devoid of artificial style and is mystico-religious in which symbols are employed and importance of teacher-preacher is emphasised; its authors were saints first and poets afterwards. Its poetic value though not high was sincere in feelings and emotions.Natha, Santa, Sahajiya and Vaishnava schools were then very popular.

Page 16 onwards talks about other punjabi poetry forms and styles in existence http://www.apnaorg.com/books/english/punjabi-sufi-poets/punjabi-sufi-poets.pdf

"Dohra is another form of Sufi verse. It is not the Hindi doha but resembles closely the chand. It has four tukks, all rhyming in the same manner. This was the favorite verse form of Hashim. There is another form of verse common to all Panjabi religious poetry, called -VARr-. Originally -VARr- meant a dirge (-VARr-) for the brave slain in battle. But then it began to be employed in songs composed in praise of the Almighty God or some great religious personage. 14 It is composed of various stanzas called pauris, literally ‘steps’, which are sung by minstrels at religious shrines." page 18
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Sikh is the simplest form of God realisation.

Stop trying to overcomplicate things Veerji.

Breath Naan in every thought and comprehend the vastness of Ek Oankar.

You sound like the Dawah man lol.

Bhul chuk maaf kardeyo Veerji

Since some of our brothers and sisters might be brainwashed by stuff like dawah man it might require a higher depth of literature analysis to break through the point that the guru granth sahib is a much more superior piece of literature when look at it from an analytical perspective.

Additionally I think it's possible sheikh farid probably has some of the least writing in the guru granth sahib. Although analyzing his bani will backfire in an argument against dawahman due to sheikh ibrahims background

Just to add on from that book I posted on the bottom of the page it says dohras resemble chands and chandas are a form of kafia poetry.

And running a google search takes me to this which talks about vedic poetic meter http://en.wikipedia.org/wiki/Vedic_meter

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Username Veerji

Your point is eloquently made. To enjoy the beauty of Gurbani in its many Saloks, Ashtpadiya and Gauriya ect is essential. However the question was quite specific...."Does anyone know what the smallest chapter (shabad/tuk) would be from gurbani perhaps guru granth sahib?"

Bhul chuk maaf Veerji

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Using the website above I have used it to work out how many pages or angs each piece constitute now using that I think it's a matter of narrowing down those which either information wasn't provided for or the ones which take up one page or ang. http://www.sikhs.org/english/eg_index.htm

{edited couldn't insert information correctly since tabular form}

Compilation name number of pages in compilation
"Guru Nanak Dev, Japuji, pg" 7
"Guru Nanak Dev, Guru Ram Das, Guru Arjan Dev, Rahiras, pg" 4
"Guru Nanak Dev, Guru Ram Das, Guru Arjan Dev, Kirtan Sohila, pg" 1
"Guru Nanak Dev, pg" 12
"Guru Amar Das, pg" 13
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 11
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 11
"Guru Amar Das, Ashtpadiyan (Octets), pg" 6
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 1
"Guru Nanak Dev, pg" 2
"Guru Arjan Dev, pg" 1
"Guru Nanak Dev, Pahrei (The Hours), pg" 2
"Guru Ram Das, Pahrei (The Hours), pg" 1
"Guru Arjan Dev, Pahrei (The Hours), pg" 1
"Guru Ram Das, Chhant (Lyrics), pg" 1
"Guru Arjan Dev, Chhant (Lyrics), pg" 2
"Guru Ram Das, Vanjara (The Merchant), pg" 1
"Guru Amar Das, Guru Ram Das, Guru Nanak Dev, Guru Angad, Sri Rag Ki // Mahalla IV,pg" 8
"Bhagat Kabir, pg" 1
"Bhagat Trilochan, pg"
"Bhagat Kabir, pg"
"Bhagat Beni, pg"
"Bhagat Ravi Das, pg"
Raga Majh
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 13
"Guru Nanak Dev, Ashtpadi (Octet), pg"
"Guru Amar Das, Ashtpadiyan (Octets), pg" 19
"Guru Ram Das, Ashtpadi (Octet), pg" 1
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 3
"Guru Arjan Dev, Bara Maha (Song of the 12 Months), pg" 3
"Guru Arjan Dev, Din-Rayni (Day and Night), pg" 1
"Guru Nanak Dev, Guru Angad, Guru Ram Das, Guru Amar Das, // in the Measure Majh, pg" 13
0
0
Raga Gauri 0
"Guru Nanak Dev, pg" 6
"Guru Amar Das, pg" 6
"Guru Ram Das, pg" 12
"Guru Arjan Dev, pg" 10
"Guru Arjan Dev, Quartets and Couplets, pg" 33
"Guru Tegh Bahadur, pg" 1
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 9
"Guru Amar Das, Ashtpadiyan (Octets), pg" 5
"Guru Ram Das, Karhalei (Camel Drivers), pg" 1
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 7
"Guru Nanak Dev, Chhant (Lyrics), pg" 1
"Guru Amar Das, Chhant (Lyrics), pg" 4
"Guru Arjan Dev, Chhant (Lyrics), pg" 2
"Guru Arjan Dev, Bawan Akkhari (Acrostic), pg" 12
"Guru Arjan Dev, Sukhmani (Jewel of Bliss), pg" 34
"Guru Arjan Dev, Thittin (Lunar Dates), pg" 4
"Guru Ram Das, Guru Amar Das, Guru Arjan Dev, //, pg" 18
"Guru Arjan Dev, //, pg" 5
"Bhagat Kabir, Guru Arjan Dev, pg" 7
"Bhagat Kabir, Ashtpadi (Octet), pg" 10
"Bhagat Kabir, Bawan Akkhari (Acrostic), pg" 3
"Bhagat Kabir, Thiteen (Lunar Dates of Fortnight), pg" 1
"Bhagat Kabir, // - Seven Days of the Week, pg" 1
"Bhagat Namdev, pg"
"Bhagat Ravi Das, pg" 1
Raga Asa
"Guru Nanak Dev, pg"
"Guru Ram Das, pg"
"Guru Nanak Dev, (Quartets), pg" 12
"Guru Amar Das, pg" 4
"Guru Amar Das, (Quintets), pg" 1
"Guru Amar Das, In the Form Kafi, pg"
"Guru Ram Das, pg" 3
"Guru Ram Das, To the Tune Kafi, pg" 1
"Guru Arjan Dev, pg" 26
"Guru Arjan Dev, To the Tune Kafi, pg" 13
"Guru Arjan Dev, Asavari (sub-measure), pg" 2
"Guru Tegh Bahadur, pg"
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 7
"Guru Nanak Dev, Ashtpadiyan (Octets) in the tune Kafi, pg" 4
"Guru Amar Das, Ashtpadiyan (Octets), pg" 2
"Guru Amar Das, Ashtpadiyan (Octets) in the tune Kafi, pg" 6
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 2
"Guru Nanak Dev, Patti (Acrostic), pg" 2
"Guru Amar Das, Patti (Acrostic), pg" 1
"Guru Nanak Dev, Chhant (Lyrics), pg" 4
"Guru Amar Das, Chhant (Lyrics), pg" 3
"Guru Ram Das, Chhant (Lyrics), pg" 10
"Guru Arjan Dev, Chhant (Lyrics), pg" 10
"Guru Nanak Dev, Guru Angad, Asa Ki //, pg" 13
"Bhagat Kabir, pg" 10
"Bhagat Namdev, pg" 1
"Bhagat Ravi Das, pg" 1
"Bhagat Dhanna, pg" 1
"Sheikh Farid, pg"
Raga Gujari
"Guru Nanak Dev, pg"
"Guru Amar Das, pg" 2
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 8
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 3
"Guru Amar Das, pg"
"Guru Ram Das, pg" 1
"Guru Arjan Dev, pg" 1
"Guru Amar Das, Gujari Ki //, pg" 9
"Guru Arjan Dev, //, pg" 7
"Bhagat Kabir, pg"
"Bhagat Namdev, pg"
"Bhagat Ravidas, pg"
"Bhagat Trilochan, pg" 1
"Bhagat Jaideva, pg"
Raga Devgandhari
"Guru Ram Das, pg" 1
"Guru Arjan Dev, pg" 8
"Guru Tegh Bahadur, pg"
Raga Bihagara
"Guru Arjan Dev, pg"
"Guru Tegh Bahadur, pg"
"Guru Ram Das, Chhant (Lyrics), pg" 3
"Guru Arjan Dev, Chhant (Lyrics), pg" 7
"Guru Ram Das, Guru Amar Das, Mardana, Guru Arjan Dev, Guru Nanak Dev, //, pg" 8
Raga Wadhans
"Guru Nanak Dev, pg" 1
"Guru Amar Das, pg" 2
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 2
"Guru Amar Das, Ashtpadiyan (Octets), pg" 1
"Guru Nanak Dev, Chhant (Lyrics), pg" 2
"Guru Amar Das, Chhant (Lyrics), pg" 5
"Guru Ram Das, Chhant (Lyrics), pg" 3
"Guru Ram Das, Ghorian (Song of the Mare), pg" 1
"Guru Arjan Dev, pg" 2
"Guru Nanak Dev, Alahaniyan (Dirges), pg" 4
"Guru Amar Das, pg" 3
"Guru Ram Das, Guru Amar Das, Guru Nanak Dev, //, pg" 9
Raga Sorath
"Guru Nanak Dev, pg" 4
"Guru Amar Das, pg" 5
"Guru Ram Das, pg" 4
"Guru Arjan Dev, pg" 23
"Guru Tegh Bahadur, pg" 3
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 3
"Guru Amar Das, pg" 2
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 3
"Guru Ram Das, Guru Nanak Dev, Guru Amar Das, Guru Angad Dev, //, pg" 12
"Bhagat Kabir, pg" 2
"Bhagat Namdev, pg" 1
"Bhagat Ravidas, pg" 2
"Bhagat Bhikhan, pg"
Raga Dhanasari
"Guru Nanak Dev, pg" 3
"Guru Amar Das, pg" 3
"Guru Ram Das, pg" 4
"Guru Arjan Dev, pg" 14
"Guru Tegh Bahadur, pg" 1
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 1
"Guru Arjan Dev, Ashtpadi (Octet), pg" 1
"Guru Nanak Dev, Chhant (Lyrics), pg" 3
"Guru Ram Das, Chhant (Lyrics), pg"
"Guru Arjan Dev, Chhant (Lyrics), pg"
"Bhagat Kabir, pg" 1
"Bhagat Namdev, pg" 2
"Bhagat Ravidas, pg"
"Bhagat Trilochan, pg"
"Bhagat Sain, pg"
"Bhagat Pipa, pg"
"Bhagat Dhanna, pg"
Raga Jaitsari
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 2
"Guru Tegh Bahadur, pg" 1
"Guru Arjan Dev, Chhant (Lyrics), pg" 2
"Guru Arjan Dev, //, pg" 5
"Bhagat Ravidas, pg"
Raga Todi
"Guru Ram Das, pg"
"Guru Arjan Dev, pg" 7
"Guru Tegh Bahadur, pg"
"Bhagat Namdev, pg"
Raga Bairari
"Guru Ram Das, pg" 1
"Guru Arjan Dev, pg"
Raga Tilang
"Guru Nanak Dev, pg" 2
"Guru Ram Das, pg"
"Guru Arjan Dev, pg" 1
"Guru Nanak Dev, pg" 1
"Guru Ram Das, pg" 1
"Guru Tegh Bahadur, pg" 1
"Bhagat Kabir, pg"
"Bhagat Namdev, pg"
Raga Suhi
"Guru Nanak Dev, pg" 3
"Guru Ram Das, pg" 5
"Guru Arjan Dev, pg" 14
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 3
"Guru Amar Das, Ashtpadiyan (Octets), pg" 4
"Guru Ram Das, Ashtpadiyan (Octets), pg" 2
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 2
"Guru Arjan Dev, Ashtpadiyan (Octets) in the tune of Kafi, pg" 1
"Guru Nanak Dev, Kuchajji (Ill Natured Woman), pg"
"Guru Arjan Dev, Gunvanti (The Female Decked with Merits), pg"
"Guru Nanak Dev, Chhant (Lyrics), pg" 4
"Guru Amar Das, Chhant (Lyrics), pg" 5
"Guru Ram Das, Chhant (Lyrics), pg" 5
"Guru Arjan Dev, Chhant (Lyrics), pg" 8
"Guru Amar Das, Guru Nanak Dev, Guru Angad Dev, // Suhi Ki, pg" 7
"Bhagat Kabir, pg" 1
"Bhagat Ravidas, pg" 1
"Sheikh Farid, pg"
Raga Bilaval
"Guru Nanak Dev, pg" 1
"Guru Amar Das, pg" 2
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 29
"Guru Tegh Bahadur, pg" 1
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 1
"Guru Amar Das, Ashtpadiyan (Octets), pg" 1
"Guru Ram Das, Ashtpadiyan (Octets), pg" 4
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 1
"Guru Nanak Dev, Thittin (The Lunar Dates), pg" 2
"Guru Amar Das, // Sat (Days of the Week), pg" 2
"Guru Nanak Dev, Chhant (Lyrics), pg" 1
"Guru Ram Das, Chhant (Lyrics), pg" 1
"Guru Arjan Dev, Chhant (Lyrics), pg" 3
"Guru Ram Das, Guru Amar Das, Guru Nanak Dev, Bilaval Ki //, pg" 6
"Bhagat Kabir, pg" 3
"Bhagat Namdev, pg" 1
"Bhagat Ravidas, pg"
"Bhagat Sadhna, pg"
Raga Gaund
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 7
"Guru Arjan Dev, Ashtpadiyan (Octets), pg"
"Bhagat Kabir, pg" 3
"Bhagat Namdev, pg" 2
"Bhagat Ravidas, pg"
Raga Ramkali
"Guru Nanak Dev, pg" 3
"Guru Amar Das, pg"
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 19
"Guru Tegh Bahadur, pg" 1
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 6
"Guru Amar Das, Ashtpadiyan (Octets), pg" 4
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 4
"Guru Amar Das, Anand (Bliss), pg" 5
"Baba Sundar, Sadd (The Call), pg" 1
"Guru Arjan Dev, Chhant (Lyrics), pg" 5
"Guru Nanak Dev, Dakhni Onkar (Semi-Acrostic), pg" 9
"Guru Nanak Dev, Siddha Gosh (Dialogue with Siddhas), pg" 8
"Guru Amar Das, Bhagat Kabir, Guru Nanak Dev, Guru Angad Dev, Ramkali Ki //, pg" 9
"Guru Arjan Dev, Bhagat Kabir, Sheikh Farid, Ramkali Ki //, pg" 9
"Rai Balwand and Satta, Ramkali Ki //, pg" 2
"Bhagat Kabir, pg" 4
"Bhagat Namdev, pg" 1
"Bhagat Ravidas, pg" 1
"Bhagat Beni, pg"
Raga Nat Narayan
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 2
"Guru Ram Das, Ashtpadiyan (Octets), pg" 3
Raga Mali Gaura
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 2
"Bhagat Namdev, pg"
Raga Maru
"Guru Nanak Dev, pg" 104
"Guru Amar Das, pg" 1
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 10
"Guru Tegh Bahadur, pg"
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 6
"Guru Nanak Dev, To the Tune Kafi, pg" 2
"Guru Amar Das, Ashtpadiyan (Octets), pg"
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 2
"Guru Arjan Dev, Anjuliyan (Supplication), pg" 1
"Guru Nanak Dev, Solahe (Sixteen Stanzaed Hymns), pg" 13
"Guru Nanak Dev, Dakhne, pg" 10
"Guru Amar Das, Solahe (Sixteen Stanzaed Hymns), pg" 26
"Guru Ram Das, Solahe (Sixteen Stanzaed Hymns), pg" 2
"Guru Arjan Dev, Solahe (Sixteen Stanzaed Hymns), pg" 15
"Guru Amar Das, Guru Nanak Dev, Guru Ram Das, Guru Angad Dev, Maru Ki //, pg" 8
"Guru Arjan Dev, Dakhne (Sloks in the SW Dialect), pg" 8
"Bhagat Kabir, pg" 3
"Bhagat Namdev, pg"
"Bhagat Kabir, pg"
"Bhagat Jaideva, pg"
"Bhagat Kabir, pg"
"Bhagat Ravidas, pg"
Raga Tukhari
"Guru Nanak Dev, Bara Maha (Song of the 12 Months), pg" 3
"Guru Nanak Dev, Chhant (Lyrics), pg" 3
"Guru Ram Das, Chhant (Lyrics), pg" 4
"Guru Arjan Dev, Chhant (Lyrics), pg"
Raga Kedara
"Guru Ram Das, pg" 1
"Guru Arjan Dev, pg" 4
"Bhagat Kabir, pg" 1
"Bhagat Ravidas, pg"
Raga Bhairon
"Guru Nanak Dev, pg" 2
"Guru Amar Das, pg" 5
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 16
"Guru Arjan Dev, Partal, pg"
"Guru Nanak Dev, Ashtpadiyan (Octets), pg"
"Guru Amar Das, pg" 1
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 2
"Bhagat Kabir, pg" 5
"Bhagat Kabir, Ashtpadi (Octet), pg" 1
"Bhagat Namdev, pg" 4
"Bhagat Ravidas, pg"
"Bhagat Namdev, pg"
Raga Basantu
"Guru Nanak Dev, pg" 1
"Guru Amar Das, pg"
"Guru Nanak Dev, pg" 1
"Guru Amar Das, (Couplets), pg"
"Guru Nanak Dev, Hindol, pg"
"Guru Amar Das, Do-Tuke (Couplets), pg" 4
"Guru Ram Das, Ik-tuke (Couplets), pg" 1
"Guru Amar Das, Hindol, pg"
"Guru Ram Das,Ik-tuke (Couplets), pg" 1
"Guru Ram Das, Hindol, pg" 1
"Guru Arjan Dev, pg" 6
"Guru Tegh Bahadur, pg" 1
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 4
"Guru Ram Das, pg"
"Guru Arjan Dev, pg" 1
"Guru Arjan Dev, Basant Ki //, pg"
"Bhagat Kabir, pg" 2
"Bhagat Ramanand, pg"
"Bhagat Namdev, pg" 1
"Bhagat Ravidas, pg"
"Bhagat Kabir, pg"
Raga Sarang
"Guru Nanak Dev, pg" 1
"Guru Ram Das, pg" 2
"Guru Ram Das, Partal, pg" 2
"Guru Arjan Dev, pg" 27
"Guru Arjan Dev, Partal, pg" 2
"Guru Tegh Bahadur, pg"
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 1
"Guru Amar Das, Ashtpadiyan (Octets), pg" 2
"Guru Arjan Dev, Ashtpadi (Octet), pg" 1
"Guru Arjan Dev, Chhant (Lyrics), pg" 1
"Guru Ram Das, Guru Angad Dev, Guru Nanak Dev, Guru Amar Das, Guru Arjan Dev, Sarang Ki //, pg" 14
"Bhagat Kabir, pg" 1
"Bhagat Namdev, pg" 1
"Bhagat Parmanand, pg"
"Bhagat Surdas, pg"
"Bhagat Kabir, pg"
Raga Malar
"Guru Nanak Dev, pg" 3
"Guru Amar Das, pg" 5
"Guru Ram Das, pg" 3
"Guru Ram Das, Partal, pg" 1
"Guru Arjan Dev, pg" 5
"Guru Arjan Dev, Partal, pg" 2
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 3
"Guru Amar Das, Ashtpadiyan (Octets), pg" 2
"Guru Arjan Dev, Chhant (Lyrics), pg"
"Guru Nanak Dev, Guru Angad Dev, Guru Amar Das, Guru Arjan Dev, // Malar Ki, pg" 13
"Bhagat Namdev, pg"
"Bhagat Ravidas, pg"
"Bhagat Namdev, pg"
Raga Kanara
"Guru Ram Das, pg" 2
"Guru Ram Das, Partal (In variable rhythm), pg" 1
"Guru Arjan Dev, pg" 11
"Guru Ram Das, Ashipadiyan (Octets), pg" 4
"Guru Arjan Dev, Chhant (Lyrics), pg"
"Guru Ram Das, Kanara Ki //, pg" 6
"Bhagat Namdev, pg"
Raga Kalyan
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 2
"Guru Ram Das, Ashtpadiyan (Quartets), pg" 3
Raga Prabhati
"Guru Nanak Dev, pg" 5
"Guru Amar Das, pg" 3
"Guru Ram Das, pg" 2
"Guru Arjan Dev, pg" 4
"Guru Nanak Dev, Ashtpadiyan (Octets), pg" 3
"Guru Amar Das, pg" 1
"Guru Arjan Dev, Ashtpadiyan (Octets), pg" 2
"Bhagat Kabir, pg" 1
"Bhagat Namdev, pg" 1
"Bhagat Beni, pg"
Raga Jaijaiwanti
"Guru Tegh Bahadur, pg" 1
"Guru Nanak Dev, Slokas In Sahaskrit, pg"
"Guru Arjan Dev, pg" 7
"Guru Arjan Dev, Gatha Language, pg" 1
"Guru Arjan Dev, Phunahe (Hymns with Repeated Burden), pg" 2
"Guru Arjan Dev, Chaubole (Discourses with Four Listeners), pg" 1
"Bhagat Kabir, Guru Arjan Dev, Guru Amar Das, pg" 13
"Sheikh Farid, Guru Arjan Dev, Guru Amar Das, pg" 8
"Guru Arjan Dev, Swayyas, pg" 4
"Various Bhatts, Swaiyyas - In Praise of Guru Nanak, pg" 1
"Various Bhatts, Swaiyyas - In Praise of Guru Angad, pg" 1
"Various Bhatts, Swaiyyas - In Praise of Guru Amar Das, pg" 4
"Various Bhatts, Swaiyyas - In Praise of Guru Ram Das, pg" 10
"Various Bhatts, Swaiyyas - In Praise of Guru Arjan Dev, pg" 4
"Guru Nanak Dev, pg" 2
"Guru Amar Das, pg" 9
"Guru Ram Das, pg" 3
"Guru Arjan Dev, pg" 2
"Guru Tegh Bahadur, pg" 3
"Guru Gobind Singh, Slok 54 (attributed), pg"
"Guru Arjan Dev, Mundavani (The Closing Seal), pg"
"Guru Arjan Dev, Sloka, pg"
Raga Mala
"String of Musical Measures, pg" 1
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    • Umm, that's totally irrational, bro. There are plenty of prakash-dara Singhs in Punjab (less than we'd like, but still plenty). No one cares that you are sabat soorat. It isn't 1986. You can walk around in chola, kurta-pajama, or jeans. Whatever. If you want the look @dallysingh101 is referring to, just go into a cheap clothing shop (not a Western-style mall) and buy some shirts for 250 rupees or a track suit for 2000 rupees. You'll get the cheap stuff made in some sweatshop in Bombay.
    • The Mind is Jyot Saroop (Waheguru), but the mind is under the influence of five evils… Through Naam Simran( Rememberance), the mind will begin to detach from evil, and get back to its original form ( MANN TU JYOT SAROOP HEH)… Until the mind breaks free from the five evils, one will go through the cycle of paap and punn….which leads to Karma… Naam Simran destroys past karma, and prevents new karma coming into fruition… I did this, I did that… This non realisation of the Jyot Saroop gives rise to paap and Punn, which in turn gives birth to suffering and misery…
    • I agree we're not born with sin like the Christians think. Also I agree we have effects of karma. But Gurbani does state that the body contains both sin and charity (goodness): ਕਾਇਆ ਅੰਦਰਿ ਪਾਪੁ ਪੁੰਨੁ ਦੁਇ ਭਾਈ ॥ Within the body are the two brothers sin and virtue. p126 Actually, we do need to be saved. Gurbani calls this "udhaar" (uplift). Without Satguru, souls are liable to spiritual death: ਜਿਨਾ ਸਤਿਗੁਰੁ ਪੁਰਖੁ ਨ ਭੇਟਿਓ ਸੇ ਭਾਗਹੀਣ ਵਸਿ ਕਾਲ ॥ p40 Those who have not met Satguru Purakh are unfortunate and liable to death. So, yeah, we do need to be saved, and Guru ji does the saving. The reason Satguru is the one to save is because God has given Satguru the "key" (kunji): ਸਤਿਗੁਰ ਹਥਿ ਕੁੰਜੀ ਹੋਰਤੁ ਦਰੁ ਖੁਲੈ ਨਾਹੀ ਗੁਰੁ ਪੂਰੈ ਭਾਗਿ ਮਿਲਾਵਣਿਆ ॥੭॥ In the True Guru's hand is the key. None else can open the door. By perfect good fortune the Guru is met. p124
    • That's unfortunate to hear. Could you give any more information? Who was this "baba"? He just disappeared with people's money? Obviously, you should donate your money to known institutions or poor people that you can verify the need of through friends and family in Punjab.
    • Sangat ji,  I know a family who went Sevewal to do seva sometimes end of 2019. They returned last year in great dismay and heart broken.  To repent for their mistakes they approached panj pyaare. The Panj gave them their punishment / order to how t make it up which, with Kirpa, they fulfilled.  They were listening to a fake Baba who, in the end, took all the "Donations " and fled sometime over a year ago. For nearly 4 years this family (who are great Gursikhs once u get to know them) wasted time and effort for this fake Baba. NOT ONLY this one fam. But many, many did worldwide and they took their fam to do seva, in village Sevewal, city Jaitho in Punjab. In the end many families lost money in thousands being behind this Baba. The family, on return, had to get in touch with all the participants and told them to stop.  I am stating this here to create awareness and we need to learn from whom we follow and believe. It's no easy but if we follow the 3 S (Sangat, Simran and Seva) we will be shown the light. As I am writing this the family in question have been doing the same since 2008 onwards and they fell for this Baba... it is unbelievable and shocking.  This am writing in a nutshell as am at work on my break so not lengthy but it deserves a great length.  Especially the family in question, who shed light on youngsters about Sikhi 20 plus years!! 
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